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Originally Posted by bigbarney
That is a plus.... or a minus depending on how you look at it. You can't edit the rear track and then remix. With Dolby Digital you can. You also have to be very careful doing any phase adjustments on the stereo track with Pro logic other wise you WILL disturb the rear track.
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The Vive does not dolby encode, but it does. Confused? Dolby Surround is a trademarked process of taking three channels and matrixing it into two. In other words, that rear channel is mixed into the stereo channels, then is extracted on playback with a surround sound decoder.
The VIVE does not claim to have dolby decoding because, well, then they'd have to pay a few bucks to Mr. Dolby's company! But, it does the same thing.
Next, there is no four channel surround in analog. Back in the early 90's (I don't remember when) Dolby introduced prologic. All this does is create a center channel from material shared by the left and right channels- it is 'steered' to the middle. Thus, we get four channels from three channel Dolby that came across a stereo source.
Can the level of rear be changed in editing? Yes, I think so! A few years ago, I played with an editing program (I forgot which) that claimed to to "create" a surround sound channel and let you adjust the level. I ran some SSM (old VIVE Mic) material and it seemed to extract the rear channel and I was able to change the level and even futz with equalization.
If you don't like surround, hey, don't decode it. But, it is always there if you want, plus has good seperation. Sound quality is way better than any cam's buil in mic. Nice highs, lows are not too good, but nothing is perfect, eh? Everytime I am on a cruise and record a ship blowing the horn, it is glaring. I was in Costa Rica and panama last month and it does a great job of picking up the sounds of the rain forest. In living room, I can watch the HDV footage and the sounds make me feel like I am there. Overall, it is a bargain and if you don't have one, you are missing out on the sonic part of the picture.